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A Handweaver's Pattern Book

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by Marguerite Davison

My copy of Marguerite Davison’s A Handweaver’s Pattern Book has the previous owner’s name right inside the front cover. That is one of the things I love about this book. I have added my name below her’s and hope that the next owner will do the same. We are symbolically linking ourselves to the great pantheon of handweavers from the beginning of weaving more than 20,000 years ago.

Maybe that is a bit of hyperbole. Still, one of the things that is wonderful about weaving is that it is so old; its traditions are rich and inspiring. Marguerite Davison (1887—1953) played a very significant role in shepherding those traditions from the pre-industrial period to modern enthusiasts. In the first half of the 20th century, she collected, organized and published weaving drafts from all over the western world—a monumental task but one that was instrumental in saving weaving knowledge accumulated over the previous centuries.
 
A Handweaver’s Pattern Book is composed of 20 chapters, each focusing on different weave structures made on four-harness looms. The chapters begin with a brief historical overview of the structure. For example, in Chapter 11, Swedish Lace Weave, the introduction tells us that this structure is very old, that it was in use in Viking times and old samples have been found all over Europe. The chapter includes 15 Swedish Lace variations, small photographs and drafts of each so modern weavers can duplicate the fabric. The variations have such names as "Sara’s Lace Plaid", "Johann D----‘s No. 32", "Finnish Lace Block Design" and "Kirschbaum’s Design No. 3".
 
Other chapters cover twills, textures, Monk’s Belt, M’s and O’s, Crackle Weave, Summer and Winter, Squares with Borders, etc. Before a draft was accepted for inclusion in the book, a sample of each was woven so accuracy is assured.
 
My only difficulty with this directory is that the drafts are intended for counterbalance looms, since they were compiled before jack looms became so prevalent. This means that the tie-up has to be read in reverse, i.e. if shafts 3 and 4 are shown to be lifted, on jack looms shafts 1 and 2 will have to lift. However, this is not an insurmountable problem since all that will happen without changing the tie up is that the pattern will appear on the bottom of the warp.
 
The directory was first published in 1944 and the latest edition is available today direct from the publisher, The Spenser Partnership, founded in Pennsylvania in 1866.  It can also be ordered through Amazon and other sites even though they sometimes say the book is out of print.
 
Fortunately, this historic and valuable reference book is not out of print for it belongs in any weaver’s library.
 
Review by Betsy Tabac
 

 

Comments

Handweavers Pattern Book

In the old days you didn't get away from your teacher without knowing the difference and how to do it fast either way. 

A Handweaver's Pattern Book

This is such a wonderful book. I enjoyed every moment reading it. It was a birthday present in 1992. I have woven the "Whig Rose" at page 176 and a new overshot project from Marguerites pattern book is coming up.

I always thought the patterns

I always thought the patterns were meant of counterBALANCE looms.  But I could be wrong.

It's really not a big deal,

imcarmel's picture

It's really not a big deal, to convert. I weave on a CB loom so I get to make the switch the other way all the time.

My understanding of this book

My understanding of this book is that, yes, it is meant for counterbalance looms but with jack looms what you will see on top is the REVERSE of the pattern. Someone correct me if I'm wrong.  

Handweaver's Pattern Book

Yes, she just typed it in wrong. <G>  I have a countermarche loom & I get to tie up both the spaces & the exes.  I recently bought the counterbalance option so I can tie up more quickly for simple 4 shaft patterns.

& this book fits it very well!  Jennifer

 THE Green Book - The tie-ups

 THE Green Book - The tie-ups in the book are written for counterbalance looms.  The easiest way to deal with that is to tie-up the spaces not the x's in the tie-up and then you'll have the right side on top.  It really isn't any effort at all and well worth it to have all of those lovely patterns at your fingertips. Thanks to the family of Ms. Davidson for continuing to print the book!

Counterbalance vs. Countermarche

Syne Mitchell's picture

My bad.  I should have caught that in the editing pass.  Thanks to the folks who weighed in about the Davison book being written for counterbalance looms (shafts pull down) instead of countermarche looms (shafts pull both up and down).  The point about them being different from jack looms (shafts push up) is still valid.

I've corrected the text.  Thanks again.

Syne Mitchell
WeaveZine Editor